Time-Consuming Aspects of Video Editing and How to Avoid Them


To the untrained eye, video modifying appears fairly straightforward.

On most events, it’s the job of an editor for viewers not to discover that any modifying has taken place. As we’ve all grow to be accustomed to trendy filmmaking tips, whether or not we understand it or not, our brains barely even assume twice about cuts and transitions. Unless, of course, they’re clearly jarring or overtly supposed to name consideration to themselves.

But behind the scenes, there’s a fantastic deal of time, sweat and tears that go into creating a refined, well-executed video on your model, and all that tough work has the potential to add vital quantities of time to your video modifying undertaking. Let’s take a dive into the facets of filmmaking that may push you over your modifying funds.

Matching Your Cameras On a Multi-Cam Shoot

Suppose somebody shoots a video for you – with two completely different cameras. Depending on the model, specs, shade profiles of every, and even the lenses used, the image they produce might (and almost definitely will) be wildly completely different. And matching the look and really feel in post-production might be a serious time-hog. What would usually be a comparatively straightforward edit simply doubled in size to grow to be a monster of a undertaking!

If you will have, say, a high-end cinema digicam taking pictures with a wide-open aperture (permitting for some heavy-duty bokeh and lush depth of discipline), and your B-Cam is an older digicam that shoots video comparable to an iPhone 5 – the place all the pieces is crisp, in focus and vibrant – however appears to be like nothing like the remaining of your footage. Cutting between the 2 photographs might show to be a nightmare, and matching their shade profiles will probably be a Herculean process.

When you’ll be able to shoot with two equivalent, or at the very least comparable (similar model, sequence of lenses, and so forth.) cameras, do it! You’ll save your self a ton of time on the again finish of your undertaking.

Continuity in Your Content

Recently, you might need heard concerning the Starbucks Cup seen ‘around the world – in a highly-watched Game of Thrones episode. Clear as day, a espresso cup is sitting on a desk within the center of a scene. But the present takes place in medieval instances, and Starbucks (not to mention espresso!) was not round again then.

Yet someway, everybody on set – together with the director, producers, editors and colorists – in addition to the entire collective engaged on the episode in post-production and the executives who authorized it for air, all missed the cup.

That’s why it’s crucial that on set, whether or not you’re filming b-roll, a re-enactment, or perhaps a commonplace interview, you retain your photographs clear and free of litter. The above-mentioned mishap is an excessive instance, nevertheless it positively illustrates why you must all the time hold a watchful eye in your ‘set’ to save your self a post-production headache later.

Fixing Hollow or Low-Quality Audio

Poorly captured audio will show a serious situation for editors. If the audio captured on set or within the discipline is of low high quality and sounds hole, distant or distorted, you are able to do some EQ mixing within the edit session, enhance some ranges and hope for the perfect. Or you’ll be able to have your topics/actors are available and ADR (Automated Dialog Replacement) it in submit (i.e. have them document their traces in an audio sales space or location comparable to the unique shoot). Neither possibility is perfect, and each take up an inordinate quantity of time. So be sure you seize the audio accurately the primary go-round, on set, when it counts.

How? Be certain to take a look at your tools. Here are four vital issues to bear in mind:

  1. Make certain your mic(s) are working accurately, guarantee all the pieces is turned on and any ‘mute’ button is about to ‘off’, and test that battery ranges are excessive. Always carry backup batteries – on your transmitter, receiver, and exterior recording system in the event you’re going that route.
  2. Before the beginning of the shoot, hear to the audio coming in to your recording system. Are the voices hole? If so, test the mic placement and strive one other take a look at. Also, hear out for interference, resembling if the mic is rubbing towards any jewellery or chains across the topic’s neck. The slightest jingle will be picked up on delicate mics, and you gained’t give you the option to get rid of it after the actual fact.
  3. Test the mic ranges to make sure the recording system isn’t over-modulating the audio or recording at tremendous low volumes. Note: recording at low audio ranges is a lot most well-liked to over-modulated audio. You can enhance low ranges, however relying on how blown out some audio is, you may not give you the option to appropriate it in submit. rule of thumb is to strive to seize audio between -6 and -12db.
  4. If afforded the posh, run a number of audio sources. Mic up your topic with discreet lavalier mics, and dangle a growth over their head, simply outdoors of the body, however shut sufficient to their head to decide up their audio cleanly with out outdoors sound interference. Make certain to disguise the lavalier mic wire by operating it up their shirt or hiding it inside their jacket to keep away from any visible distraction.

Covering up the Umms, Uhhs and Awkward Pauses

Viewers have shorter consideration spans these days than ever earlier than. No matter how slick your video appears to be like, in case your topic isn’t as polished, or the voice they’re listening to is having a tough time getting via a sentence, then viewers will seemingly flee. It’s the editor’s job to take out all these awkward pauses, stutters and hiccups to make the video stream easily. And that comes at a (usually hefty) value.

Even essentially the most skilled orators generally clam up on digicam. To mitigate the drain on time and cash within the edit, producers/publicists ought to work with shoppers earlier than the shoot. Go over the topics with them. Make certain they’re educated on the subjects they’ll be protecting on the day of the interview. If they channel their confidence and really consider they’re the skilled on the subject material at hand, they’ll appear extra pure as soon as the cameras begin rolling, and almost definitely, the nerves and jitters will put on off. Ideally, they’ll chill out sufficient so your manufacturing flows easily, making for a enjoyable, nice and stress-free expertise for all events concerned!

Planning and Communication is Key

Obviously, regardless of how a lot prep work you do to put together for a shoot and make the manufacturing run as clean as attainable, Murphy’s Law all the time appears to kick in whenever you least anticipate it. But figuring out that issues can and will go mistaken on set – whether or not they be simply ignored points or monumental gaffes – nonetheless shouldn’t forestall you from planning forward to have the absolute best day of filming.

If issues don’t work out as deliberate on shoot day, make certain your editor is aware of of the problems earlier than they get the footage in-hand so there are not any surprises within the edit room. That approach, everybody’s expectations are tempered and budgets will be readjusted if want be.

The finest editors could make some main points go unnoticed, cowl up huge blunders and creatively conceal even the obvious on-set fake pas with out anybody batting an eye fixed. Whether a Producer, Director, or perhaps a common shopper of media, it makes you respect the good deal of time and power the creatives spend piecing these movies you’re watching collectively.



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